Carrie Lamanna

practicing the art of resistance writing

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Writing is Messy, Communal, and Scary

April 22, 2019 By Carrie Lamanna

Overhead photo of a woman's hands typing on a green typewriter. To the left is an open notebook, a stack of letters, and flowers. To the right is a latte and a cookie on a blue plate. The text added to the photo reads "Writing doesn't look like this."

After neglecting it for months, I promised myself I would start posting to my blog once a week. My first post was just over a week ago on Saturday, so I haven’t exactly achieved my goal yet. At least it’s progress. (I’ve been told I need to focus more on small wins instead of focusing on how I fuck everything up. Not sure I’m doing it right, but I’ll keep trying.) The thing is, I don’t have a plan for what I want to say to you today. I just know I promised to write, so I’m writing.

Maybe that’s how it has to start. You sit your ass in a chair and write even when you don’t have anything it say. Of course that’s how it has to start. I know this. I have a damn Ph.D. in writing studies. Writing is a process of discovering what we have to say, not a delivery method. The final published work might be about delivering our completed message, but the process of creating that message—the actual work of writing—is knowledge production. We know more after we have written, even for just five minutes, than we did before we started. Even when we sit down with a clear plan for what we want to write, the process changes things. It’s fascinating to watch this process unfold with an author who’s working on a novel. Characters they thought were villains unexpectedly reveal themselves to be heroes. A coward turns out to be the bravest one in the story. No matter how much they plan and storyboard, fiction writers can never be sure how a story will end until they write the last word.

Fiction writers don’t invent their characters—they get to know them through the writing process. When we write about a nonfiction topic, we learn as much through the act of writing as we do through the research process. When we write about ourselves, we get to learn who we are. But that process is unsettling to say the least. We aren’t fictional characters after all, and realizing that maybe we don’t know everything about ourselves is downright scary. And the fact that we are sharing our recent self-discoveries with a public audience brings the fear level from “damn scary” to “fucking terrifying.” When I hit publish on my previous post about my struggle with anxiety and OCD, I felt like I was standing naked in the middle of the busiest street in town with TV cameras and cellphones pointed at me. In reality, maybe 100 people even bothered to look twice at that post, and most of them were friends and family (hi mom!), so my fears might have been a bit exaggerated. But it doesn’t matter. In my head the fear is real. It makes me feel alone in this world, and more often than not, it stops me from writing.

I don’t want to be alone in this process. I want you to come along with me so it doesn’t seem so scary. The romantic notion of the writer alone in her ivory tower is a myth that holds us back. Writing happens in communion with others. Sure, you have to sit down with pen or keyboard each day and put words on a page, and that has to be done alone. But what happens before, after, and in-between the writing requires people.

I would never have finished my dissertation if it weren’t for a friend who invited me to her house in Michigan for a weekend. She provided another friend who was struggling to finish and me with rooms of our own. We spent the morning writing with our doors closed. At lunchtime we came downstairs to a wonderful meal she had prepared for us. We ate and got some exercise while she read our drafts and provided feedback. We then went back upstairs to revise before heading out to dinner together. We did this for two days. I wrote about a third of my dissertation that weekend after struggling for almost a year to write more than a few good pages. At the time it seemed like magic, but the magic was simply doing the work in the company of other writers and friends who supported and believed in me. When I quit my academic job and decided to start writing memoir and creative nonfiction, I knew I would need that sort of support again, which is why I jumped at the chance to join Janelle Hanchett’s first Renegade Writers group. We’ve had two face-to-face retreats now, and both have been magical.

Obviously, it’s not possible to go on a writing retreat every weekend. (Who would do that laundry I’m always bitching about?) But it doesn’t mean we are doomed to struggle alone either. I’ve found that something amazing happens when we share our writing process with others. We realize we are not alone. Friends and family I would never have suspected of having any interest in writing confess that they too want to write a novel, a memoir, or start a blog. They too thought they were alone, that sitting down to write was scary because they didn’t know what to say and were afraid to show it to anyone, that everything they tried to write turned out a hot mess, and what difference did it make anyway because they would never have the time to be a “real” writer. This is the bullshit we say to ourselves when we try to write in secret. I wouldn’t be writing at all if I didn’t know I had you to read it—even if “you” is sometimes only my friend Jill and my fellow Renegade writers.

I stopped writing when I stopped reaching out and sharing with my writing community. Once I started getting outside my own head, my writing fears didn’t go away, but they stopped controlling my process. My fears became something I could lift and set aside for a precious moment instead of a crushing weight on my chest. Over the next month I’ll be sharing more of my writing process here and on social media. It’s going to be a weird ride, but I’m ready for it. It’s time.

Embracing My Righteous Rage

October 4, 2018 By Carrie Lamanna

Black and white photo of a woman holding a protest sign that reads "Some women fear the fire. Some women become it."

Two weeks ago I wrote a post about my experience of sexual assault at age 15. My objective in sharing my story was to lend credibility to Christine Blasey Ford’s, to help people understand that assaults do happen the way she described and that they do have lasting effects on survivor’s lives. My account was emotional but steady. I wanted to convey what it felt like for me to live with that trauma, but I wanted to appear logical, reasonable. And the next week I watched Dr. Ford make similar rhetorical choices during her testimony before the Senate Judiciary Committee. And then I watched the angry mob of men take the room and erase her as if she had never been there at all. I watched as they sent a message to survivors all across the country that said, “Our anger and entitlement is worth more than your pain.” I watched and I cried.

And then I got angry too. Those who know me will tell you that I am pretty good at being angry. But my anger has typically been the kind that lives stuffed deep inside where I can keep it controlled and hidden. It rises to the surface at unexpected moments when I find myself yelling about the dirty laundry on bathroom floor or at the guy who cut me off in traffic. My anger in those moments seems misplaced and out of proportion. I look irrational, hysterical even, because my anger is misplaced. I’m not angry about the dirty laundry on the floor (well, maybe I’m a little pissed about that). I’m really angry at

the boys who tried to rape me.

the high school boyfriend who used gas lighting to emotionally and sexually abuse me.

the culture that told me none of that should matter, that it was no big deal, and really probably my fault anyway.

my government that upholds the power of rich white men while stripping women of reproductive rights, oppressing the LGBTQ community, putting children in cages, defending police officers who kill Black children, and turning a blind eye to income inequality and environmental disasters that make the average citizen poorer and sicker.

The anger I have been suppressing is a righteous rage. A rage that I will use to fuel my writing and my activism. It’s not going to be easy. The Senate will likely vote to confirm Kavanaugh tomorrow, and then there are the midterm elections to get through. I’m going to write through it all. I’m going to use my writing practice to hone my rage until it is sharp and targeted, and I hope you’ll join me.

I’m preparing a four-week online writing class for women who are feeling their anger and want a community where they can express it through writing and discussion. If this is you, join me in the Righteous Rage writing class starting October 22. Each Monday you will receive an email with a short reading and writing prompt. You can also share your thoughts and writing in our private Facebook group. If you are looking for a greater level of engagement and support, in addition to the weekly prompts you can register for a weekly live online discussion group. I will cap the discussion group at eight participants to create an intimate space for in-depth conversation. Sign up now to be notified when registration opens and to receive special early bird pricing.

Notify Me About Righteous Rage

Getting Back to Basics: Lessons for Writing and Life

August 21, 2018 By Carrie Lamanna

photo of an empty cappuccino cup, tangled headphones, and a woven bracelet with gps coordinates on the charm

Today I am putting on my own oxygen mask first. I have at least 20 things on my to-do list, but instead of making my writing item 21, I’m putting it first.

I have spent the summer coming to terms with the fact that I will never be one of those “highly productive people” so revered in American society. This realization has required lots of therapy and downtime. No matter how organized, scheduled, and efficient I am I will never be able to do all the things I think I should be doing. And that’s OK. And I will keep telling myself it’s OK everyday until I don’t doubt it anymore.

Trying to do all the things has just led to levels of stress and anxiety that aren’t healthy for anybody. So I started scaling back, and during that process it became painfully obvious that most of what I was trying to accomplish was about pleasing other people or living up to an impossible standard of womanhood—or both.

The other day a friend asked me if I enjoyed life We were out in the garden and I was picking some beans for her to take home, so this understandably seemed an unnecessarily philosophical question for the activity at hand. All my brain could muster at first was “umm, what the fuck?” I mean who enjoys life? That’s not what life is for. It’s for getting shit done. Making sure your family is fed, clothed, and happy. Making sure everyone you work with is happy with your performance. Making sure you stay thin and pretty forever, because otherwise they revoke your woman card. Making sure you keep up with every horrid thing our fascist president and his crew of stormtroopers are doing so you can resist, resist, resist forever and ever, amen.

Her question irritated me. What was there to enjoy? It only took me a few minutes to realize my reaction was the sign of a problem. (Only a few minutes to recognize my own crazy—that therapy is paying off!) My friend was perceptive enough to see that I am perpetually stressed and she took the opportunity to check in with me. I decided not to shoot the questioner and get honest with myself instead.

I never learned to enjoy life because I have been letting the bastards win for over 40 years: the weight and beauty police, the mommy industry designed to make mothers feel like failures (bento boxes, limited screen time, educational crafting activities—who who the fuck are these people?), the capitalist co-opting of feminism that lies and tells us we can have it all if we just work hard enough and spend enough money, and now our racist cheeto president who makes everyone with a soul feel like it’s a betrayal of justice to feel even a moment of happiness. To paraphrase Lucinda Williams, they took my joy and I want it back.

So, my first step is getting back to writing by getting back to basics. Here are three things I need to get the writing done and reclaim my joy right now.

space and time

Both seem impossible to find most of the time, but often it’s because I refuse to allow myself the luxury of putting myself first. Somewhere deep in my psyche I don’t believe I have done enough to earn my writing time. Because it must be earned. Anything pleasurable must be earned by sacrifice because otherwise I’m just being a greedy bitch. This is internalized misogynist thinking that I must unlearn if I want my joy back. So I left the kids home with my husband and went to a coffee shop where I wrote first before answering emails or focusing on clients. I allowed myself to feel joy without earning it, even if it was only for an hour. Even small steps will lead you home if you just keep walking in the right direction.

little pleasures

Since I work from home, there are days when I don’t leave the house. More often than I want to admit I have waited until mid afternoon to brush my teeth. Why? Because I told myself I needed to get my work done before tending to my bodily needs. It would be selfish to take care of myself before finishing that project or folding that basket of laundry. Sound familiar? It’s the same fucked up thinking I use to deny myself writing time. These wounds go deep. So deep that I have made something essential like brushing my teeth into a luxury.

When I got to the coffee shop to write, I bought some lunch and then opened my laptop to a blank screen. After writing for a bit I really wanted a cappuccino. My internal critical said, “you haven’t written enough to earn that coffee yet.” After that negative messaging, creativity started to leave me. The words wouldn’t come anymore. And I knew I had to get that cappuccino. Art requires us to be tuned into beauty and pleasure. If we cut off our access to them, we lose our humanity, our sense of connection to the world around us, our empathy. I love the way the foam dances on top of the cup and the way you can smell the bitterness of the coffee before it hits your tongue and how the last sip is always sweeter than the first no matter how well you mix the sugar. The coffee kept me in touch with my senses, my bodily connection with the physical world—with pleasure and joy. I needed that little bit of pleasure to stay in my artistic space.

my people

Writers need other writers. This writing thing, it’s hard. Six years ago I signed up for an online writing class with Janelle Hanchett. The honest writing on her blog, Renegade Mothering, was the kind of writing I longed to do but couldn’t because I was stuck in an academic structure that didn’t fit my creative needs. In her class I meet my people—other women struggling to find their voice and the courage to share it with the world. We were all smart, professional women—a doctor, a lawyer, a chef, a student advocate, a physical therapist, a Fulbright scholar and former member of parliament, and even another college English professor—who had suppressed our desire to write. We all wanted our joy back, and we found it with each other’s help.

But joy can be fleeting. It requires constant attention. Janelle recognized the special bond we had formed, and has organized two writing retreats for us in a magical spot in California. That place has kept the joy of writing alive for every one of us. The last time we were all gathered in that spot, one of our members, Tracy, gave everyone a bracelet engraved with the GPS coordinates of our little retreat house in the woods. I wear it almost every day, but especially on days when life and its never-ending responsibilities and expectations are trying to suck the joy out of my life. On those days my bracelet and I go to the coffee shop, buy the cappuccino, put in some headphones and write. We may do it again tomorrow.

Finding the God of the Lowly in Janelle Hanchett’s “I’m Just Happy To Be Here”

May 1, 2018 By Carrie Lamanna

photo of the Pescadero retreat center with the pool in the foreground and forest in the background

My friend and writing mentor Janelle Hanchett’s memoir, I’m Just happy to Be Here, debuted today. I had the honor to be part of a select group of early readers, and if you follow me on social media, you have seen my posts about what a beautiful, heartbreaking, funny, and inspiring story it is. It takes you into the depths of motherhood and addiction in a way that anyone who has experienced a dark night of the soul can understand. And isn’t that all of us, really?

I discovered Janelle’s writing in 2015 when a friend shared one of her blog posts on Facebook. I don’t even remember which post it was because I immediately started reading the whole blog. She wrote about motherhood and social expectations and politics in a way that was sarcastic, outraged, and ernest all at once. She outed herself as imperfect, a misfit, and invited all the other misfit mothers to join her. When I found out she was offering an online writing class I knew it was meant for me. but I was only half right. It was meant for me and seven other amazing women who became fiercely loyal friends and writers in progress.

After a year of working together online and joking about the magical face-to-face writing retreat we were going to have someday, we decided to make it a reality. So Janelle set to work finding us the perfect location—a funky, well-worn 1960s commune turned retreat center in Pescadero, California. This was not a resort in Tahiti, where all the spiritual white women go on retreat these days. This was a misfit cabin in the woods perfect for a gang of misfit writers. We gathered in the yurt in the morning to talk about writing, spent the afternoons actually writing in the living room, and listened to each other read around the campfire at night. It was there that I first heard Janelle read from her book. When she was finished, we were all silently crying in the dark because we knew this book would be everything we love about Janelle’s writing and everything we hope for in our own—real, raw, and offering real human connection.

Janelle’s writing is brave because she knows life is too short to give any fucks about propriety and other outward signs of white, middle class adulting. There is only time for honesty and kindness, and love—for helping each other up each and every time we fall. Near the end of the book, when she is finally in recovery and staying sober, she reflects on the importance of telling her story. In the scene she is visiting a home for alcoholic mothers and explains,

I tell them what I did and how I recovered, because I want them to see that the water they need to wash themselves clean flows always and immediately to the lowest possible places. And I know that God, to me, is that kind of love.

This was the moment that brought me back to that campfire and the way I felt afterward as we all walked back up the hill to the retreat house to go to bed. This book is bedtime story for grownups—not a fairy tale where good triumphs over evil, but a story of how a flawed, messy human (as we all are) gets a chance to try again, a shot at redemption.

Reading this book has overlapped with my spring gardening rituals of pruning and planting and weeding. Every year I go back to the same trouble spots, the places where despite my diligent weeding and watering plants refuse to grow, seeds refuse to sprout. I have a place in my flower garden where only weeds will take hold. Each spring, I dig out the weeds and plant a new sort of flower, hoping this variety will finally be the one that can stand up to the weeds. I have been doing this for 10 years now, and each time I go out to plant in that spot my husband reminds me of that old saying: the definition of insanity is doing the same thing over and over and expecting different results. But this is where God finds us—at our most desperate, on our knees in the garden trying again to make something grow. God is there with lowliest of us who continue to make the same mistakes, continuing to love us, tend to us, like a patch of poor soil where only weeds will grow.

The wisdom in Janelle’s book is that we are all already redeemed, already worthy of love. We just have to step into the water and let it wash over us.

Image of a handwritten page from Janelle Hanchett's journal with this typed quote from her book overlaid: "Now I see that it is when we are at our most vile that help comes pouring in, meeting us where we are at the bottom."

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